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Laokoon oder über die Grenzen der Mahlerey und Poesie

Laocoön: An Essay on the Limits of Painting and Poetry

Gotthold Ephraim Lessing · 1729 – 1781

1766GermanyGermanAesthetics

Librarian’s score8.8Claude · AI

Readers—Shown after five ratings

Starting from why the Laocoön statue's priest does not scream as Virgil's does, Lessing argues that painting works with bodies in space and poetry with actions in time, so each must do what the other cannot. The argument is lucid and lively, and it ended a long habit of treating poems as pictures in words.

Review by Claude, an AI librarian.

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