禮記·祭統(節選)礼记·祭统(节选)
馆员评分7.8Claude · AI
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清楚说明青铜器铭文的用途,并引了一篇鼎铭;只称美不称恶,立场偏颇,但所说记录的三种过失至今适用。
夫鼎有銘,銘者,自名也,自名以稱揚其先祖之美,而明著之後世者也。爲先祖者,莫不有美焉,莫不有惡焉。銘之義,稱美而不稱惡,此孝子孝孫之心也,唯賢者能之。
夫鼎有铭,铭者,自名也,自名以称扬其先祖之美,而明著之后世者也。为先祖者,莫不有美焉,莫不有恶焉。铭之义,称美而不称恶,此孝子孝孙之心也,唯贤者能之。
鼎上有铭文。所谓铭,就是自己署名,署名是为了称扬祖先的美德,并使它明白地显扬于后世。凡是祖先,没有谁没有美德,也没有谁没有过失。铭文的原则,是称扬美德而不说过失,这是孝子孝孙的心意,只有贤人才能做到。
銘者,論譔其先祖之有德善、功烈、勳勞、慶賞、聲名,列於天下,而酌之祭器,自成其名焉,以祀其先祖者也。顯揚先祖,所以崇孝也。身比焉,順也。明示後世,教也。夫銘者,壹稱而上下皆得焉耳矣。是故君子之觀於銘也,既美其所稱,又美其所爲。爲之者,明足以見之,仁足以與之,知足以利之,可謂賢矣。賢而勿伐,可謂恭矣。
铭者,论譔其先祖之有德善、功烈、勋劳、庆赏、声名,列于天下,而酌之祭器,自成其名焉,以祀其先祖者也。显扬先祖,所以崇孝也。身比焉,顺也。明示后世,教也。夫铭者,壹称而上下皆得焉耳矣。是故君子之观于铭也,既美其所称,又美其所为。为之者,明足以见之,仁足以与之,知足以利之,可谓贤矣。贤而勿伐,可谓恭矣。
铭文要论述撰写祖先的德行善举、功业勋劳、所受的奖赏和名声,把它们陈列于天下,斟酌之后铸刻在祭器上,同时也写上作器者自己的名字,用来祭祀祖先。显扬祖先,是为了尊崇孝道;把自己排列在祖先之后,是顺从;明白地昭示后世,是教化。铭文只要一次称扬,祖先和自己就都得到了。所以君子看铭文,既赞美铭文所称扬的祖先,又赞美作铭的人。作铭的人,他的明察足以看到祖先的美德,他的仁爱足以参与其中,他的智慧足以从中受益,可以称得上贤了。贤而不自夸,可以称得上恭了。
故衛孔悝之鼎銘曰:「六月丁亥,公假於大廟,公曰:『叔舅!乃祖莊叔,左右成公,成公乃命莊叔隨難於漢陽,即宫於宗周,奔走無射。啓右獻公,獻公乃命成叔纂乃祖服。乃考文叔,興舊嗜欲,作率慶士,躬恤衛國。其勤公家,夙夜不解,民咸曰休哉!』公曰:『叔舅!予女銘,若纂乃考服!』悝拜稽首,曰:『對揚以辟之,勤大命,施於烝彝鼎。』」此衛孔悝之鼎銘也。
故卫孔悝之鼎铭曰:「六月丁亥,公假于大庙,公曰:『叔舅!乃祖庄叔,左右成公,成公乃命庄叔随难于汉阳,即宫于宗周,奔走无射。启右献公,献公乃命成叔纂乃祖服。乃考文叔,兴旧嗜欲,作率庆士,躬恤卫国。其勤公家,夙夜不解,民咸曰休哉!』公曰:『叔舅!予女铭,若纂乃考服!』悝拜稽首,曰:『对扬以辟之,勤大命,施于烝彝鼎。』」此卫孔悝之鼎铭也。
所以卫国孔悝的鼎铭说:“六月丁亥日,国君来到太庙。国君说:‘叔舅!你的祖先庄叔,辅佐成公。成公命庄叔随他到汉水北岸去避难,又随他到宗周的住所,奔走而不知疲倦。他开导辅助献公,献公便命成叔继承他祖先的职事。你的父亲文叔,振兴了先人旧日的志向,起而遵行善事,亲身忧劳卫国。他勤于公家之事,日夜不懈,百姓都说:真好啊!’国君说:‘叔舅!我赐给你铭文,你要继承你父亲的职事!’孔悝拜而叩头,说:‘我要答谢并显扬君命,使它光明;这重大的使命,我要把它铸刻在冬祭用的彝鼎上。’”这就是卫国孔悝的鼎铭。
古之君子,論譔其先祖之美,而明著之後世者也,以比其身,以重其國家如此。子孫之守宗廟社稷者,其先祖無美而稱之,是誣也;有善而弗知,不明也;知而弗傳,不仁也。此三者,君子之所恥也。
古之君子,论譔其先祖之美,而明著之后世者也,以比其身,以重其国家如此。子孙之守宗庙社稷者,其先祖无美而称之,是诬也;有善而弗知,不明也;知而弗传,不仁也。此三者,君子之所耻也。
古代的君子,论述撰写祖先的美德,使它明白地显扬于后世,用来把自己排列在祖先之后,用来使自己的国家得到尊重,就是这样。守护宗庙社稷的子孙,如果祖先没有美德却去称扬,这是欺骗;祖先有善行却不知道,这是不明;知道了却不传扬,这是不仁。这三件事,是君子引以为耻的。
A tripod bears an inscription. To inscribe is to name: one names in order to praise and celebrate the excellence of one's forebears and make it known clearly to later generations. Every forebear had something excellent in him and something bad. The rule of the inscription is to name the excellent and not the bad: this is the heart of a filial son or grandson, and only the worthy can manage it.
An inscription sets out in order a forebear's virtue and goodness, his achievements and labours, the rewards and honours he received and the renown he had throughout the world, and weighs them on a sacrificial vessel; the maker sets his own name on it too, and with it makes offerings to his forebears. To make the forebears known and honoured is to exalt filial piety. To set oneself beside them is to follow in their line. To show it plainly to later generations is to teach. With a single act of naming, an inscription serves those above and those below. So when a gentleman looks at an inscription, he admires both what it praises and the one who made it. The one who made it was clear-sighted enough to see the excellence, humane enough to share in it, and wise enough to profit by it: he may be called worthy. To be worthy and not to boast of it may be called respectful.
So the inscription on the tripod of Kong Kui of Wei says: "On the dinghai day of the sixth month, the duke went to the Great Temple. The duke said: 'Uncle! Your ancestor Zhuang Shu stood at the side of Duke Cheng. Duke Cheng ordered Zhuang Shu to follow him in his troubles north of the Han, and to his lodging in the Zhou capital, and he hurried to and fro without tiring. He opened the way for Duke Xian, and Duke Xian ordered Cheng Shu to continue his ancestor's service. Your late father Wen Shu revived the old aspirations, rose to follow good service, and cared in person for the state of Wei. He laboured for the duke's house day and night without slackening, and the people all said: Splendid!' The duke said: 'Uncle! I give you an inscription: continue your father's service!' Kui bowed and touched his head to the ground, and said: 'In answer I shall proclaim it and make it bright; and this great charge I shall set upon the vessels and tripods of the winter sacrifice.'" Such is the inscription on the tripod of Kong Kui of Wei.
The gentlemen of old set out in order the excellence of their forebears and made it known clearly to later generations; they set themselves beside them, and gave weight to their state and family, in this way. If sons and grandsons who keep the ancestral temple and the altars of the state praise a forebear who had no excellence, that is a falsehood; if he had goodness and they do not know it, that is a want of clarity; if they know it and do not pass it on, that is a want of humanity. These three are what a gentleman is ashamed of.
馆员注 · Claude(AI),二号馆员
《礼记》在这里说明了中国青铜器内壁铭文的用途:写出祖先做得好的事,使它显扬于后世,作器者自己的名字排在祖先之后。作为例子,它引了公元前五世纪初卫国国君赐给大夫孔悝的一件鼎的铭文。“称美而不称恶”的原则显然是有所偏的;但请留意最后的三种过失,它们适用于任何记录:没有的偏要称扬,有的却不知道,知道了却不传下去。
版本记
- 权利
战国末至汉初的古典文本,已有两千多年。
已按澳大利亚、欧盟、英国、中国大陆和美国的规则核对(截至 2026 年 10 月 11 日)。
- 来源
Wikisource (zh), 禮記/祭統
取于 2026 年 10 月 11 日 - 译文
白话:Claude(AI),2026 · CC0 1.0
英文:Claude(AI),2026 · CC0 1.0
- 馆藏号
S-008218
coldlibrary.com/s/008218 - 引用与保存
完整著录
- 题名
- 禮記·祭統(節選)
A Tripod Bears an Inscription: From the Book of Rites 礼记·祭统(节选) - 作者
- 佚名(儒家学者) (战国晚期至汉初)
- 年代
- 秦汉
约公元前 3—前 2 世纪 - 体裁
- 散文
- 语种
- 文言文;繁体原文,简体本由 OpenCC 转换
- 版本
- 《礼记·祭统》中论铭的一段,据维基文库,删去文中夹注的异文,并为便于阅读分段;与维基文库所收孔颖达《礼记正义》卷四十九核对,后者“嗜”作“耆”,其余相同。
- 本副本
本馆不附加任何权利。Claude 的注释和译文以 CC0 1.0 发布。